Toronto PR guru Natasha Koifrnan adds her signature – and style – to the condo boom, Leanne Delap writes Photography by Ted Belton

ON HER WEDDING DAY,
Natasha Koifman got up and made a series of calls. Even on that sunny day in June, she was taking care of business. Then she went to her downtown office to get hair and makeup done for her Zoomer photo shoot. She shuffled between all-black designer outfits – The Row suit with a Rick Owens tank, then on to an Aje top and Frame denim with an Her­mes bag – and walked down the street to pose in front of the five­storey Purman Building, where a condo with her name on it will rise above the historic warehouse.

“Two hours later, I got married” she says, with the photo-shoot glam doing double duty. “That’s my life.”The wedding dress was a Zuhair Murad, also black, pulled from her closet. The strict noir dress code was adopted in her 20s; she even has an Instagram hashtag, #nkallblackeverything, chronicling her love of fashion’s dark side. She grows soft and romantic as she de­scribes the ultra-low-key nuptials to Eric Hendrikx in her front yard under their favourite Japanese maple, with only Koifman’s son, Justin, and his girlfriend, Jessica, as witnesses. “There is something about the age we are that is very peaceful. When you finally find the right person at the right time, it is quite comforting” Dipping into Bette Mi­dler territory, she says, “I have wind beneath my wings”

Koifman turned so this year, and she is inspiring proof of the differ­ence a year can make. “The holidays of 2019, that December was one of the hardest months I had ever gone through. I was alone after a breakup, and I really dug deep to understand: What do I really want in this life?” She joined Raya, a matchmaking app for creative professionals, and was connected the same day to Hendrikx, an American writer for Rolling Stone and Men’s Journal, who specializes in celebrity profiles, motorcycles and skate­boarding. “Dec. 26 I met the love of my life,” she says. Then, in early January 2021, another door opened.

A POWERHOUSE

Mark Mandelbaum, the chairman of Lanterra Developments, must have picked up on Koifman’s reinvention energy when he pulled her into his office. He had an idea bubbling away. He was looking for a persona he could channel into a 47-storey mixed-use condo project in Toronto.

“I felt Natasha had built her own personal brand, which reflected her business,” and that “we could translate that, very carefully, into a building.” He sees Koifman as a role model for the kind of person who will be drawn to the downtown life­style. “A lot of women I know very much admire her and find her em­powering. She has worked hard for her success.”

Koifman founded her company, NKPR, in 2002. Clients include Swarovski, Flow Water (Koifman was an early investor in the alkaline water company and has handled the PR ever since), MEC, Sorel, and Sympli (a forwomen, by-women fashion line that recently launched an all-black clothing capsule). She is the Canadian chair for Artists for Peace and Justice (APJ), which brings together artists, advocates and creatives to envision a radically different future for youth.

A major focus is The Academy for Peace & Justice in Port-au-Prince, founded by APJ and run in conjunc­tion with the St. Luke Foundation For Haiti, where more than 3700 young people between the ages of 11 and 20 attend secondary-school classes in a country where most do not go past Grade 5.

“This is an op­portunity to empower Haitian chil­dren to become the best they can be,” says Koifman. “Education shouldn’t be a privilege, it should be a given right.”

The Shop NK website, which sells home and fashion wares chosen by Koifman, allows customers to choose from a drop-down menu of six charities when they check out, with 10 per cent of the sale for­warded as a donation. She also of­fers 30-minute mentorship ses­sions, with an impressive group of people chosen from her Rolodex, to entrepreneurs for $250, with 100 per cent of the proceeds going to charity.

The 30-person NKPR team repre­sents the top 10 real-estate devel­opers in the city, so condo projects are familiar terrain for Koifman. The collaboration between Koifman and Lanterra is precedent-setting, with a building designed in her image and with her input. There have been a few instances where Toronto developers brought in big names to add cachet to properties, but none quite as bold: In 20151 Karl Lagerfelci designed the lobby of developer Peter Freed’s Art Shoppe Condos in midtown Toronto; and in June, Life­time Development announced that Canada’s top celebrity photogra­pher, George Pimentel, would build a gallery of his best redcarpet work for its Oscar Residences in the An­nex, named after the film industry’s favourite little gold man.

Natasha The Residences will be built in the city’s Culture District, where NKPR has been part of the commu­nity for two decades, and its com­mon spaces will feature work by Peter Tunney, one of Koifman’s favourite artists. The condo, with interior design by Koifman in col­laboration with New York-based designer Alessandro Munge, is close to the Four Seasons Centre for the Performing Arts, TIFF Bell Lightbox and the Princess of Wales Theatre.

It will have a New York feel, since Koifman also has offices there. Her all-black aesthetic is informed by the Big Apple, as well as her desire to be taken seriously in the business world: A black uniform, always worn with a jacket, meant that her ideas would stand out.

“The palette will be clean, black-and-white monochromatic, because it lacks clutter,” she says. “I can’t function in clutter. That aesthetic and vibe is part of what I feel has truly contributed to the success I have had, the heartbeat of how I function.”

Koifman has had input on every as­pect of Natasha The Residences. “If I’m going to put my name on it, my brand, I’m going to be 100 per cent involved.” Amenities include a con­tent studio with lighting and sound­proofing (Koifman is a frequent podcaster), a piano room, a pizza oven and a puppy spa. The project is “about how people live now,” espe­cially in the downtown core, where the arts and entertainment crowd often work from home and use so­cial media for business and plea­sure.

Lanterra has done its due diligence, says Hendrikx, who was “excited, but not surprised” they wanted to expand his wife’s brand. “They’ve not just named a building after Natasha. They’ve taken a deep look into her career, life, fashion, style and interests, and incorporated these facets of her story into the blueprint.” The walls will be deco­rated with Tunney’s word art: Grat­itude, The Time Is Now and Don’t Panic, “messages you see in our home and in the NKPR offices,” says Hendrikx. Even the design of the community spaces, with “moments of intimacy for small groups, is based on how we prefer to socialize with our friends and family at home.”

FAMILY CIRCLE

So how do you get to the place where someone wants to name a condo after you? Koifman, who has more than 50,000 followers on so­cial media, doesn’t consider herself an influencer, per se. After all, she manages influencers, who are, she points out, paid to post. “I would say I’m more of a person of influ­ence, in that I talk [online] about subjects I’m excited about, like fashion and decor. I’m excited about e-commerce.” Her agency’s motto is “Don’t just talk, say something,” which Koifman relies on to guide her when spending her influence capital. “With me,” she says, “on social media, in real life, what you see is what you get.”

In 2019, she gave a TEDxtalk that showed an innate understanding of how vulnerability is essential to the perception of strength. “Authentic­ity” is a word that peppers Koif­man’s speech, which emerges from her mouth in fully formed thoughts and sentences. She never shows up without doing her homework.

There are two prime motivators be­hind Koifman’s ambition, and both originate at home. The first is the example set by her parents, who emigrated from Ukraine to Edmonton and moved to Toronto when Koifman was 13.

“My Dad had $100 in his pocket. They didn’t speak the language. I just remember the feel­ing that my parents were going to look after us. My Dad took us along looking for a job, because he didn’t know if it would be safe to leave his wife and kids in the apartment.” Her parents are still happy today, she says, and “55 years later, still in love. Their drive and strength, I thought I could do it if they could do it.”

The second was the birth of her son when she was just 18. “It could have gone very differently,” she says of her struggles as a single mother. “You do what you have to do.” Ig­norance was bliss, in her case. “When you are that young, you just play the cards you are dealt. There was almost a fearlessness, because I just didn’t know what was going to happen.” Koifman maintains her son kept her centred. “Everything I have done, even to this day, the choices and decisions I make, is so he will be proud of me.” Justin, now 31, is a practising lawyer in Toronto.

Koifman, however, has never be­lieved in work-life balance. “You are going to fail if you try to achieve something that is impossible. I try for integration of work and life in­stead.” Before the pandemic, she worked 15-hour days and was often on the road. After Hendriloc was stuck in Canada, when the borders closed due to COVID-19, they de­cided to live together at Koifman’s 1888 coachhouse home in midtown Toronto.

Hendriloc is now the creative direc­tor at NKPR, bringing Koifman’s work-life integration to a new level. “Natasha and I were both young single parents,” says Hendriloc. “So, while we do come from different backgrounds, gender and geogra­phy, we had this inherent connec­tion in our pasts – filled with piv­otal life choices – that helped us re­late to each other in the present.” He shares that she has a romantic side as well. “From our very first conversation, there was this mutual feeling that we were always meant to be together.”

Koifman describes herself as “an introvert with an extrovert job.” She has been happy to cocoon with Hen­driloc and their two black Labs. Hav­ing manifested her best life out of a time of despair, she has her bounce fully back.

“What goes down goes up,” she says. The important thing is to learn from mistakes so you don’t repeat them. If you have a little faith, “the universe will create room for you to grow.”